IN/VISIBLE
installation
5 blackboards with drawings, map
developed specifically for the exhibition 50 YEARS AFTER 50 YEARS OF THE BAUHAUS 1968
From the introduction text of 50 YEARS AFTER 50 YEARS OF THE BAUHAUS 1968: "Fifty years after the opening of 50 Years of the Bauhaus, the Württembergischer Kunstverein is undertaking a critical rereading of this exhibition. The rereading takes as its point of departure the sociopolitical upheavals of the 1960s and considers the Bauhaus, its historical contexts and the history(ies) of its reception from today's perspective."
50 YEARS AFTER 50 YEARS OF THE BAUHAUS 1968
with Piotr Andrejew, Daniel G. Andújar, Gerd Arntz, Ambrish Arora, Arte Nucleare, Yochai Avrahami, Galina Balashova, John Barker / László Vancsa, Willi Baumeister, Herbert Bayer, Ella Bergmann-Michel, Akshat Bhat, Marianne Brandt, Lucius Burckhardt, Abin Chaudhury, Constant, Peter Cook, Le Corbusier, Guy-Ernest Debord, Die neue Linie, Yvonne P. Doderer, Atul Dodiya, Ines Doujak, Drakabygget, Egon Eiermann, Francis Gabe, Annapurna Garimella, Erich Glas, Grapus, Eileen Gray, Walter Gropius, Dmitry Gutov / David Riff, John Heartfield, Helmut Heißenbüttel, Ludwig Hilberseimer, Internationale lettriste, Internationale situationniste, Isidore Isou, Jineolojî, Jacqueline de Jong, Asger Jorn, Shimul Javeri Kadri, Jitish Kallat, Revathi Kamat, Mustapha Khayati, Alexander Kluge, Kurt Kranz, Les Groupes Medvedkin / Colette Magny, Les Lèvres Nues, Michail Lifschitz, El Lissitzky, Mona Mahall / Asli Serbest, Vincent Meessen, Rahul Mehrotra, Kaiwan Mehta, Erich Mendelsohn, Ludwig Mies van der Rohe, László Moholy-Nagy, Mouvement international pour un Bauhaus imaginiste, Ernst Neufert, Hans Ferdinand und Hein Neuner, Mateusz Okonski, Gabriel Pomerand, PROVO, Madhav Raman, Lilly Reich, Josep Renau, Józef Robakowski, Joost Schmidt, Margarete Schütte-Lihotzky, Vishwa Shroff, Alison und Peter Smithson, Herman Sörgel, Gruppe SPUR, Superstudio, Jan Tschichold, Raoul Vaneigem, Gil J Wolman… and others.
May 5 – September 23, 2018
Württembergischer Kunstverein Stuttgart
DER GARTEN DES HERRN S.
THE GARDEN OF MR. S.
installation
developed specifically for the exhibition 50 YEARS AFTER 50 YEARS OF THE BAUHAUS 1968, Württembergischer Kunstverein Stuttgart
May 5 – September 23, 2018
Württembergischer Kunstverein Stuttgart
RAUMSTRUKTUR
together with Ute Meta Bauer
Raumstruktur (engl. Spatial Structure) was created for the exhibition WHEN TEKKNO TURNS TO SOUND OF POETRY (Shedhalle Zurich, 1994; Kunstwerke Berlin, 1995). Formally, it goes back to Ray and Charles Eames’s infinitely variable Computer House of Cards, that they had developed as a promotional gift for IBM’s exhibit at the World Expo in Osaka in 1970 and earlier as a children's play.
We use the Eames slotted card system to rearrange different picture and text materials from the 1970s and, by so doing, to spotlight the polarity and the relationships between the belief in progress and the various counter-movements of this decade. The three-dimensional arrangement and the optical connection between fields not usually perceived together enable a reflective view of the 1970s.
FÜNFZIG ZIGARREN FÜR DAS LICHT DER ZUKUNFT
Kunstverein KISS, Abtsgmünd Untergröningen, Mai 7 - Sept. 25, 2016
OH MY COMPLEX - ON UNEASE AT THE BEHOLDING THE CITY
Total Museum of Contemporary Art, Seoul, April 10 - June 29, 2014
OH, MY COMPLEX
Württembergischer Kunstverein Stuttgart, Mai 17 - Juli 27, 2012
WHEN TEKKNO TURNS TO SOUND OF POETRY
Shedhalle Zurich 1994 / Kunstwerke Berlin 1995
THE ART OF NOT GOVERNED LIKE THAT
Idea und conception by Hans D. Christ, Yvonne P. Doderer, Iris Dressler, Stephan Köperl, Sylvia Winkler
The exhibition THE ART OF NOT GOVERNED LIKE THAT, refering in its
title to Michel Foucualt, is an independent project while simultaneously
comprising part of the exhibition RE-DESIGNING THE EAST. POLITICAL DESIGN IN ASIA AND EUROPE by Württembergischer Kunstverein Stuttgart. The section ties in with the controversy surrounding the urban development and transport project
Stuttgart 21 and heightens reflection thereupon against the background
of economic, political, social, and cultural processes of transformation
that have been developing in recent decades.
With contributions by Yvonne P. Doderer, Stephan Köperl, Sylvia Winkler and others.
LUCIFER EFFECT
curated by Jaroslav Andel
DOX Center for Contemporary Art, Prague
October 14, 2011 – January 2, 2012 in the frame of the exhibition THE
RE-DESIGNING THE EAST. POLITICAL DESIGN IN ASIA AND EUROPE
Württembergischer Kunstverein Stuttgart
November 28, 2010 – January 9, 2011
RIGHT TO THE CITY
photo series, collage
within the exhibition AN DEN RÄNDERN DER KUNST
Markus Ambach Projekte, Düsseldorf, March 3 – Mai 5, 2012
WOMENSPACEWORK (offline)
Online-project from 2011 (offline) collecting links to different feminist projects and activism
WOMEN'S SPACES
Research and wall application (together with Ruth Becker, Ute Meta Bauer)
both projects have been part of exhibition FIRST STORY - WOMEN BUILDING / NEW NARRATIVES FOR THE 21st CENTURY curated by Ute Meta Bauer - the main exhibition in the section "Visual Arts and Architecture" in the frame of CULTURAL CAPITAL PORTO 2001 in Porto, Portugal.
With Asterisk (Lissbon), Nina Cohen (Johannesburg), Maria Eichhorn (Berlin), FO/GO LAB (Vienna), Itsuko Hasegawa (Tokio), LSD Projection (Madrid/Paris), Regina Möller (Berlin), Trina Robbins (San Francisco), Women on Waves (Amsterdam), Elke Zobl (San Diego)
Porto 2001
http://www.firststory.net
reader
as part of the exhibition DREAM CITY, a collaborative project by Kunstraum München, Kunstverein München e.V., Museum Villa Stuck, Siemens Kulturprogramm, curators Jo-Anne Birnie Danzker, Luise Horn, Dirk Luckow and Dirk Snauwaert
Kunstverein München e.V., 1999
L-SEX and SPACE
installation, filmprogram, materials
as part of the exhibition SEX and SPACE curated by Marion von Osten and Michael Zinganel
Steirischer Herbst, Forum Stadtpark, Graz, 1997
map
as part of the exhibition BRIDGE / THE MAP IF NOT THE TERRITORY curated by Ute Meta Bauer and Cathy Skene
Fleetinsel Hamburg, 1997
REPRODUCTION OF CHILDREN'S HOUSE
installation
within the section „?“ curated by Ute Meta Bauer, exhibition NOWHERE
Louisiana Museum of Modern Art, Humlebaek, 1996
RIGHT TO THE CITY
2-days workshop
in the frame of the exhibition CAMPUS STADT
Württembergischer Kunstverein Stuttgart, 2011
OTHER CITIES FOR OTHER LIVES
2-days workshop
in the frame of the exhibition THE ART OF NOT BEING GOVERNED LIKE THAT
Württembergischer Kunstverein Stuttgart, 2010
REWORK, RECULTIVATE, REAPPROPRIATE THE CITY!
4-days workshop
in the frame of Markus Ambach Projekte DAS UNEINGELÖSTE VERSPRECHEN - Stadt zwischen urbanem Gedächtnis und Aktualiserungsanspruch with students of the Art Academy Düsseldorf, class of Rita McBride
Künstlerverein Malkasten, Düsseldorf, 2009
RESEARCH THE RESEARCH / CAPITALIST CITY AS URBAN UTOPIA
2-days workshop
in the frame of the exhibition POSTCAPITAL Archive 1989 - 2001
by artist Daniel Garcia Andújar
Württembergischer Kunstverein Stuttgart, 2009
IT'S ALL URBAN. PHANTASIES, PRODUCTIONS + POLITICS OF CONTEMPORARY CITIES
1-week international workshop with art students
in the frame of CITY SPECTACLE
Württembergischer Kunstverein Stuttgart in cooperation with CROSSKICK – European Art Academies as guests in German art associations
Württembergischer Kunstverein Stuttgart, 2006
RIGHT TO THE CITY - URBAN ECONOMIES - URBAN VISUAL POLITICS
lecture series, films, workshops
concept in collaboration with Iris Dressler and Hans D. Christ
within the exhibition CAMPUS STADT
with Jaroslav Andel/DOX Prag, Prof. Dr. emer. Ruth Becker, Dr. Elisabeth Blum, Monika Grubbauer, Helma Haselberger, Prof. Dr. Felicitas Hillmann, Prof. Dr. Niko Paech, Harry Sachs, Dr. Nina Schuster, Janós Sugár, Ute Vorkoeper/Academy of Another City/Hamburg and various initiatives against Stuttgart 21
July 8 – 29, 2011 , Württembergischer Kunstverein Stuttgart, 2011
ANOTHER ART FOR ANOTHER CITY
presentation and talk with Sylvia Winkler and Stephan Köberl
in the frame of the project HOTEL CHELSEA SUITES
by MAP Markus Ambach Projekte
Hotel Chelsea Cologne, 2010
© Yvonne P. Doderer